Atomos Ninja Ultra 13.2cm (5.2 inch)

• HDMI Monitor/Recorder

• 13.2 cm (5.2 inch)

• on 2.5 inch SSD/HDD

• Resolution: 1920x1080

• 10 bit (8+2 FRC)

• Brightness: 1000nits

• 4K DCI, 8K RAW via HDMI, HDMI input/output

• actively controlled fan and heat sink

• Body: aluminum with ABS plastic

Product description for Atomos Ninja 13.2 cm monitor/recorder Ultra

Get the most out of your camera!
Atomos' new generation small form factor monitor recorder for mirrorless and film cameras.

Key features:
Lightweight, rugged and reliable monitor recorder with advanced monitoring and recording features.
Record in ProRes RAW up to 8Kp30, 6Kp60 and 4Kp120
Flexible codec selection - ProRes RAW, ProRes, DNxHD + H.265 (HEVC) - all free!
Dual RAW capture for camera-to-cloud workflows - simultaneously capture 4Kp60 ProRes RAW + H.265 (with Atomos Connect)
SDI Cine - new feature to automatically match filenames, timecode, and recording triggers from SDI cameras from ARRI, Canon, RED, and Sony
New AtomOS 11 improves storage management, increases responsiveness, and adds new features
Publish directly from the cloud with 4K H.265 Camera to Cloud mode (with Atomos Connect)
Faster, stronger connectivity with Wi-Fi 6E
Share what's on your Atomos screen with other Atomos Connect users, as well as Shogun Connect, iPad, Mac and Apple TV - wirelessly on location or anywhere in the world with Atomos RemoteView (with Atomos Connect).
Additional advanced, industry-leading monitoring tools with one-touch operation such as SegmentPro (Sept.23), EL Zone, ARRI False Color in combination with other monitoring tools such as Vectorscopes, Zebra, Atomos False Color, Onion Skin, etc.
New monitoring tools to organize recording and playback in advance with RecordAssist and PlayBackAssist.
Same form factor as the NinjaV, so all accessories are compatible with the new Ninja series (Ninja + Ninja Ultra)

With the NINJA ULTRA, Atomos brings a monitor/recorder that combines the maximum capabilities for filmmakers and creatives in one tool.

In addition to proven monitoring tools like Atomos False Color and Focus Peaking, the NINJA ULTRA brings brand new image assessment options like ARRI False Color and EL Zone. The completely redesigned Atomos OS11 gives the NINJA ULTRA a highly professional yet intuitive operating system. For those who want to get the absolute maximum out of their camera, the NINJA Ultra is a game changer!

ProRes RAW with up to 8kp30 a flexible and integrated codec selection and DUAL-RAW recording (i.e. simultaneous recording of 4Kp60 ProRes RAW + H.265) make it an unbeatable all-rounder on set! If all that isn't enough, you can pair the NINJA ULTRA with the Atomos Connect module and publish content directly to the Atomos Cloud.
Bringing visions to life.

The NINJA brings your creativity to life on any project, from cinematography to social media to HDR and SDR. It easily pairs with a variety of HDMI-enabled cameras, from professional cinema cameras to mirrorless cameras.

Capture your vision with the Ninja Ultra
The Ninja Ultra brings your creativity to life on any project, from cinematic to social media to HDR and SDR. It easily pairs with a wide range of cameras with HDMI connections, from professional cinema cameras to mirrorless cameras.

Capture with the Ultimate Monitor Recorder
The Ninja Ultra is the ultimate field monitor for film and video creators who value high-quality standard codecs like ProRes and ProRes RAW. The Ninja Ultra's state-of-the-art screen delivers crisp, clear HDR images for monitoring on set or on the go, even in the brightest lighting conditions.

Compact Monitor Recorder Perfection
The Atomos Ninja Ultra features a stunningly bright 5.2-inch 10-bit HDR monitor with 1000nits of brightness. The sleek and rugged aluminum chassis weighs just 360g and is only 25mm deep, making it easy to mount on any rig.

New AtomOS, New Look, New Possibilities
Atomos introduces a new version of its operating system, AtomOS 11. It's designed specifically for the new Ninja Ultra and not only looks fantastic, but also offers a number of great new features.

Tools have been made more visible and the look of icons has been improved so you know exactly what you're selecting. It's easier to use, more logical, and looks more professional.

Infinite Features with OS11
Ninja Ultra offers a wide range of familiar and new features to simplify your workflow. Including AtomOS Monitor Assist features like Focus Peaking, Zoom, Vectorscopes + Atomos and ARRI False Color, EL Zone colored exposure to Safe Areas, Cine Guides and our AtomHDR processing engine that provides real-time Log>PQ/HLG preview and more.

Unlock the full potential of your camera with the Ninja Ultra
The wide selection of codecs makes the Ninja Ultra compatible with all major editing software packages. Virtually any HDMI or SDI source is supported, including cameras from Nikon, FujiFilm, Canon, Panasonic, Sony, Z-Cam, Sigma, Olympus, RED, and ARRI.

Ninja Ultra and up to 8K ProRes RAW
More than 55 cameras now support RAW capture over HDMI on the Ninja, and that list continues to grow. Apple ProRes RAW combines the visual and workflow benefits of RAW video with the incredible real-time performance of ProRes. It gives filmmakers tremendous latitude in adjusting the look of their images, making it ideal for HDR workflows. The new Apple ProRes RAW plug-in adds camera-specific properties to the mix.

Ninja Ultra and Atomos Connect module
Add an Atomos Connect module to the Ninja Ultra to access cloud workflows like C2C, Atomos Edit, and Atomos RemoteView through Atomos Cloud Studio. Connect also offers 12G-SDI, AirGlu wireless timecode and control, Wi-Fi 6E and GigE Ethernet.

Atomos RemoteView is a unique new service that lets you wirelessly share what's on your Atomos screen with other Atomos users, as well as iPad, Mac and Apple Tv. You can monitor what's happening on set and mirror the camera image as you see it. Even more, you can do this from anywhere in the world. This opens up new creative freedom for filmmakers. (Atomos Cloud Studio required)

NDI is a way to stream video over regular networks (including Wi-Fi and cellular) with high quality and low bandwidth requirements. It is increasingly used in live production, and now your Ninja Ultra can participate in an NDI network. The NDI 4K TX option turns your Connect-enabled Ninja Ultra into an NDI 4K source that is visible to all other NDI-compatible devices on the local network. (Paid Option)

4Kp60ProRes RAW and HD 60p H.265 Dual Record Codecs with Atomos Connect
Now you can record your primary file at up to 4Kp60 in ProRes RAW. Parallel recording of RAW and H.265 has always been an important request from users, especially for scripts and dailies. Now you can record up to 4Kp60 ProRes RAW on the Ninja Ultra's SSD while uploading HDp60 H.265 files via Camera to Cloud. So you get the best of both worlds.

The new 4K C2C mode lets you upload H.265 files up to 4Kp60 with a connected Atomos Connect.

With the new 4K C2C mode, you can record clips at much higher resolution and frame rate than ever before and upload them to Atomos Cloud Studio. Save valuable time by uploading high-quality 4Kp60 H.265 files at up to 30mbps (depending on ACS subscription level) as your primary working file to C2C. Think sports or events to edit and publish HQ content as quickly as possible. You no longer have to wait for a 4K C2C edit. Atomos Progressive Upload technology ensures no time is wasted.

Atomos SDICine with Atomos Connect
Automatically match filenames, timecode, and recording triggers from SDI cameras from ARRI, Canon, RED, and Sony.

Previously, Camera to Cloud relied on matching filenames to AtomOS-created hero and proxy files. Thanks to collaboration with ARRI, Canon, RED and Sony, Atomos Camera to Cloud files are now matched to the original OCF filenames, enabling a seamless process when matching C2C or SSD proxy files in cut with camera files. Complete flexibility to capture files wherever it makes sense for your workflow. Whether on camera or on the Atomos recorder, the choice is yours. (Available via SDI only)

RAW SDI for Ninja Ultra with Atomos Connect
Ninja Ultra owners can now record RAW files via SDI with compatible cameras using the Atomos Connect module.

Enhanced metadata support for ARRI, Canon, RED, and Sony cine cameras, with a dual-record codec for a proxy workflow.

These new features make the Ninja Ultra even more versatile, providing professional I/O options for a wide range of cameras - from entry-level mirrorless cameras to the latest compacts and high-end professional cameras.

4K NDI with Atomos Connect
NDI is a way to deliver high-quality video over ordinary networks (including Wi-Fi and mobile) with remarkably low bandwidth requirements. This method is increasingly used in live production, and now your Ninja can also participate in an NDI network. The NDI 4K TX option turns your Connect-enabled Ninja Ultra into an NDI 4K source that is visible to all other NDI-compatible devices on the local network.

Optimize your Wi-Fi connection to Atomos Cloud Studio with Atomos Connect
With lower latency, higher throughput, and a more stable connection, WiFi 6E improves cloud video workflows. All other Wi-Fi variants use the same two radio frequency bands: 2.4 GHz and 5 GHz, but Wi-Fi 6E also occupies 6 GHz. Only Wi-Fi 6E devices use this frequency, so they have no competition from older Wi-Fi formats.

Wi-Fi 6E is less susceptible to interference and operates over a longer range. All things being equal, at least twice the bandwidth is available to users within a certain distance of the transmitter.

The new format also offers lower latency and can make more simultaneous connections to Wi-Fi 6E routers. Wi-Fi 6E is backward compatible with previous Wi-Fi versions, but the advanced features are only available when connecting to other Wi-Fi 6E devices.

Package Contents
1x Atomos Ninja Ultra Monitor/Recorder
1x Battery Eliminator
1x USB C PD to 2.1mm DC Power Cable
1x QuickStart Guide

TECHNICAL SPECIFICATIONS:
Physical Specifications
Dimensions (WxHxD): 151 x 91.5 x 31 mm
Weight: 360 g
Mounting Points: 1x 1/4-inch / 3/8-inch top and bottom

Environmental conditions
Operating ambient temperature: Up to 40 degrees Celsius

Construction + Controls
Body: Aluminum with ABS plastic
Cooling: Actively controlled fan and heat sink
Indicator light: Rear and front
Multi-function button: Power / lock screen
AtomXpansion slot

Power supply
Input voltage: 6.2V to 16.8V
Operating power: 5.8-7.2V (battery) or at least 30W via USB-C PD cable
Compatible batteries: NPF L-series
Built-in battery: No
Battery life: Record 5200mAh - up to 2 hours (monitor + record 4K 60p)
7800mAh - up to 3 hours (monitor and record 4K 60p)
DC power connection Via DC jack on battery eliminator
DTAP Via battery eliminator and optional DTap DC cable

Display
Touchscreen: SuperAtom IPS panel (capacitive touch)
Size: 5.2-inch
Resolution: 1920 x 1080
PPI: 427
Bit depth: 10-bit (8+2 FRC)
Backlight: Edge lit type
Brightness (cdm2 / nits): 1000
Black level (cdm2 / nits):
Aspect ratio: 16:09
Color gamut: Rec.709
Calibration Support: Atomos Calibrator with Calibrite ColorChecker Display Pro + ColorChecker Display Plus

Color Pipeline
Gamma Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log
Gamut Bt2020, DCI P3, PDCI p3 65 Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020
Panasonic V Gamut
Arri Alexa Wide Gamut
Rec709
JVC LS300
Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
3D LU+A76T Display .Cube Format
3D LUT Down Stream Loop from
3DLUT 50/50 Yes
Monitoring Modes Native / HLG / PQ / 3D LUT
HDR Output Conversion Log / HDR to HLG / PQ / Dolby Vision

Video Input
HDMI 1x HDMI (2.0) 4Kp60
HDMI RAW Apple's ProRes RAW up to 6K with compatible cameras
SDI Optional via Atomos Connect module
SDI RAW Optional via Atomos Connect module
RJ45 / Network
Wi-Fi
USB
Bit depth 8/10-bit video / RAW up to 16-bit
Video chroma subsampling 4:2:2
HDCP copy protection Not supported

Metadata
HDMI RAW - white balance, exposure index, shutter speed/angle, aperture, ISO, gamma, gamut
SDI File naming from ARRI, RED, Sony and Canon cameras
External input
Closed captioning

Video output
HDMI 1x HDMI (2.0) 4Kp60
SDI loop output
SDI output
RJ45 / GigE Optional via Atomos Connect module
Wi-Fi 6E Optional via Atomos Connect module
Multi-view
OS overlays
Video Chroma subsampling 4:2:2
Bit depth 10-bit video
Pattern generator

Web streaming
USB UVC Optional via Atomos Nexus 4K or AtomX Cast
RJ45 / GigE Optional via Atomos Connect module
RTMP / S Optional via Atomos Connect-Module

Video Signal Conversion
HDMI to SDI Optional via Atomos Connect Module
SDI to HDMI Optional via Atomos Connect Module

Audio Input/Output
Audio Quality 24/48kHz
Audio Codec PCM
HDMI 8ch 24-bit, input dependent
SDI 12 channel 24-bit, input dependent
Analog audio input 3.5mm 2ch.
Headphone output 3.5mm 2ch.
Audio input delay User-definable via menu

Timecode/sync/control
Embedded HDMI and SDI
Time of day, time and date
Reference input
LTC Optional via Atomos Connect module
Genlock Optional via Atomos Connect module
Wireless AirGlu RF server and client Optional via Atomos Connect module
Wireless AirGlu BT server Optional via Atomos Connect module

Resolution + frame rates (recording, Monitoring + Playback)
Supported Base Resolution + FPS
8K RAW Only up to 30p over HDMI
6K RAW Only up to 60p over HDMI
5K
4K DCI 23.98/24/25/29.9/30/50/59.94/60p
4K UHD 23.98/24/25/29.9/30/50/59.94/60p
2K DCI 2046 x 1080 Optional via AtomX SDI module
Anamorphic 3.5k: RAW up to 60p (only from supported cameras)
FHD 1920 x 1080 Progressive 23.98/24/25/29.9/30/50/59.94/60/100/120p
FHD 1920 x 1080 PsF Converted to P and PsF output as loop
FHD 1920 x 1080 Interlaced 23.98/24/25/29.9/30/50/59.94/60i
1280 x 720p 50/59,94/60p

Recording CODEC
Apple ProRes Raw ProRes RAW, HQ
Apple ProRes LT, 422, 422HQ
Avid DNxHD DNxHD 220x, 220, 145, 36
Avid DNxHR LB, SQ, HQ, HQX.
H.265 LQ,MQ,HQ,XQ in 8/10bit, 4 2 2 and 4 2 0

Playback
Playlist, create custom playlists from full or partial clips
Loop, with custom in/out markers
Apple ProRes Raw, recorded clips
Apple ProRes, with linear PCM audio
Avid DNx, with linear PCM audio
H.265

Recording features
Pre-roll recording Yes (HD 8s, 4K 2s) - Not available in RAW
Time-lapse
Simultaneous proxy recording

Multi-input / switching
SDI A/B switching
Dual input display
Multiple SDI inputs
Multiple HDMI inputs Optional via AtomX Cast
Multiview display Optional via AtomX Cast
Multiview-Output Optional via AtomX Cast
Picture in Picture (PIP) Optional via AtomX Cast
Picture and Picture (PAP)
Graphical overlays Optional via AtomX Cast
Media pool storage
Input transitions Optional via AtomX Cast
Input resolution processing
Input image processing
Keyer

Supported media
Master Caddy I: Not compatible
Master Caddy II: For 2.5-inch hard drives in MasterCaddy II
Master Caddy III: For 2.5-inch hard drives in MasterCaddy III (required for Atomos Connect)
SSDmini: Native size and fit
CFAST II: With supported cards via optional SSDmini CFAST II adapter
SD
USB
Network
File naming unit name - scene/record/take
ExFAT file system

On-screen tools
MultiScope analysis view
Waveform, 3 sizes/position
Histogram
RGB parade, 3 sizes/position
Vector scale, 2 sizes/position
1x Zoom 1:1 Pixel Mapping for 4k
2x Zoom
4x Zoom
Focus Peaking Color Selected / Threshold Setting / Color / Mono / Edges Only
Atomos False Color, with Scale
ARRI False Color
EL Zone
Zebra, Adjustable
Isolate Color Channel Blue Only
Cine Frame Guides 2,4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
Social Frame Guides 9:16, 1:1, 191:1, 4:5
Onion Skin
Safe Areas Action and Graphics
Grid Marks 9s Grid
Anamorphic Desqueeze 1.25x, 1.33x, 1.5x, 1.6x, 1.65x, 1.79x, 1.8x, 2x
Display Mirroring Vertical Only

Onboard Signal Processing
Pulldown Distance 24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)
4K UHD downscaling for HD loop output - 4K UHD to FHD
DCI crop loop output - 17:9 to 16:9 Crop

Remote Control
HDMI Auto HDMI Trigger, Supported Protocols - Canon, Sony,
Atomos Open Standard
SDI SDI Trigger Camera selectable with Atomos Connect
Serial 2,5-mm jack LANC control and calibration via
optional USB serial cable
AirGlu BT Optional via Atomos Connect module
AirGlu RF Optional via Atomos Connect module
USB
RJ45
RS422

External device control
Serial 2,5 mm phone jack Camera control for supported cameras via optional USB-to-serial cable
Bluetooth LE Optional via Atomos Connect Module
Wireless RF Optional via Atomos Connect Module
USB
RJ45

Supported applications
XML edit tag EDL in FCPX XML
Apple ProRes Raw Apple FCPX, Adobe Premiere, After Effects, Avid Media Composer, GrassValley Edius, Assimilate Scratch, Baselight Film Light.
Video Codecs: All applications with support for Apple ProRes and Avid DNx in the .MOV wrapper